Australian Brandenburg Orchestra, Paul Dyer made "Solomon, HWV 67: The Arrival of the Queen of Sheba" available on May 13, 2016. The duration of Solomon, HWV 67: The Arrival of the Queen of Sheba is about 3 minutes long, at 3:05. Based on our data, "Solomon, HWV 67: The Arrival of the Queen of Sheba" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "My First Classical Album" album is number 1 out of 22. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Solomon, HWV 67: The Arrival of the Queen of Sheba is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Solomon, HWV 67: The Arrival of the Queen of Sheba by Australian Brandenburg Orchestra, Paul Dyer to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 3. Danza de las hachas | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 125 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Strauss Jr., J.: Kaiser-Walzer, Op. 437 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM | ||
In A Persian Market | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | F Major | 2 | 7B | 69 BPM | ||
Bach - 3 chorales, P. 167: No. 1. Lento assai (after J.S. Bach's Nun komm, der Heiden Heiland, BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 0 | 5A | 83 BPM | ||
The Second Of The Princes | Robert Johnson, Australian Brandenburg Orchestra, Paul Dyer | F♯ Minor | 1 | 11A | 76 BPM | ||
La Danza | Gioachino Rossini, The Clarinotts, Wiener Virtuosen Streichensemble | G Major | 1 | 9B | 87 BPM | ||
Oboe Concerto in D Minor, S.Z799: II. Adagio | Alessandro Marcello, Raymond Leppard, English Chamber Orchestra | D Minor | 1 | 7A | 70 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM |
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