"Piano Concerto No. 5, F major Op. 103: Andante – Allegretto tranquillo quasi andantino" by Camille Saint-Saëns, Anna Malikova, WDR Sinfonieorchester Köln, Thomas Sanderling was released on October 1, 2010. Piano Concerto No. 5, F major Op. 103: Andante – Allegretto tranquillo quasi andantino appears to be safe for all ages as it is not explicit. The song is number 5 out of 14 in Camille Saint-Saëns: The Complete Piano Concertos (Piano Concerto No. 1, D Major, Op. 17, No. 2, G Minor, Op. 22, No. 3, E-Flat Major, Op. 29, No. 4, C Minor, Op. 44, No. 5, F Major, Op. 103 ("Egyptian")) by Camille Saint-Saëns, WDR Sinfonieorchester Köln, Thomas Sanderling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Concerto No. 5, F major Op. 103: Andante – Allegretto tranquillo quasi andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5, F major Op. 103: Andante – Allegretto tranquillo quasi andantino by Camille Saint-Saëns, Anna Malikova, WDR Sinfonieorchester Köln, Thomas Sanderling is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Der Karneval der Tiere, R. 125: VIII. Das Aquarium | Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Philipp Marguerre, Johannes Zurl | A Major | 0 | 11B | 117 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |
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