Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton's 'Romeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II)' came out on January 1, 2007. With Romeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Prokofiev: Romeo and Juliet, Suites Nos. 1-3". In this album, this song's track order is #2. Based on our statistics, Romeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II) by Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Piano Sonata No. 9 in C Major, Op. 103: III. Andante tranquillo | Sergei Prokofiev, Bernd Glemser | A♭ Major | 0 | 4B | 95 BPM | ||
Piano Concerto in D-Flat Major, Op. 38: II. Andante con anima | Aram Khachaturian, Oxana Yablonskaya, Moscow Philharmonic Orchestra, Dmitry Yablonsky | D Minor | 0 | 7A | 110 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
Schubert - Mullerlieder, S565/E249: No. 5, Wohin? (2nd Version) | Franz Liszt, Valerie Tryon | G Major | 0 | 9B | 70 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |
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