"Psalm 90 - "Lord Thou Hast Been Our Refuge"" by Charles Hylton Stewart, Choir of St. John's College, Cambridge, John Scott, George Guest was released on November 30, 1978. With this song being about 5 minutes long, at 5:29, "Psalm 90 - "Lord Thou Hast Been Our Refuge"" by Charles Hylton Stewart, Choir of St. John's College, Cambridge, John Scott, George Guest is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Psalms of Consolation and Hope". In this album, this song's track order is #11. Psalm 90 - "Lord Thou Hast Been Our Refuge" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 90 - "Lord Thou Hast Been Our Refuge" by Charles Hylton Stewart, Choir of St. John's College, Cambridge, John Scott, George Guest having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enfold Me | Margaret Rizza, Kevin Mayhew Ltd | G Minor | 0 | 6A | 75 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
Psalm 132 "Lord, Remember David and All His Trouble" | Stanley Vann, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | D♭ Major | 0 | 3B | 170 BPM | ||
Grace of God | Jeff Lippencott, Ligonier Festival Orchestra | A Minor | 2 | 8A | 173 BPM | ||
Blessed be the God and Father | Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross | E♭ Major | 1 | 5B | 126 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Set Me as a Seal | The Singers - Minnesota Choral Artists | D Major | 1 | 10B | 101 BPM | ||
Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | C Major | 2 | 8B | 89 BPM | ||
Psalm 8: Psalm VIII | Henry Lawes, Choir of St John's, Elora, Michael Bloss, Noel Edison | C Major | 2 | 8B | 131 BPM |
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