Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor) - Johann Sebastian Bach, Gillian Keith, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 89%
Danceability: 51%
Energy: 21%
Instrumentalness: 0%
Liveness: 22%
Loudness: 68%
Speechiness: 4%
Valence: 71%
Popularity: 6%
Loudness: -19.046 dB

Summary

Johann Sebastian Bach, Gillian Keith, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor)" available on October 26, 2010. With this song being about 5 minutes long, at 5:06, "Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor)" by Johann Sebastian Bach, Gillian Keith, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor) BPM

The tempo marking of Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor) by Johann Sebastian Bach, Gillian Keith, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

Wohl dem, der sich auf seinen Gott, BWV 139: Aria: Gott ist mein Freund (Tenor) Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonatina No. 1 in C Major, Op. 36: II. Andante	Lang Lang	F Major	1	7B	176 BPM
Sonata in D Major, No. 1: III. Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	A♭ Major	4	4B	117 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre	François Couperin, Iddo Bar-Shaï	C Major	3	8B	145 BPM
Concerto in E Minor: II. Vivace	Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini	E♭ Minor	3	2A	117 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro	Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta	B♭ Major	0	6B	183 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]	Carl Philipp Emanuel Bach, Giovanni Mazzocchin	E♭ Major	1	5B	113 BPM
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779	Janos Sebestyen, Johann Sebastian Bach	F Major	3	7B	123 BPM
Berceuse in D-Flat Major, Op. 57	Frédéric Chopin, Maurizio Pollini	D♭ Major	1	3B	69 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]	Johannes Brahms, Yo-Yo Ma	E♭ Major	0	5B	134 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.1215295791625977

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