Carlos Verardi, Atrium Musicae de Madrid, Gregorio Paniagua made "Historia Baetica" available on January 28, 1986. With Historia Baetica being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 4 out of 32. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Historia Baetica's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Historia Baetica by Carlos Verardi, Atrium Musicae de Madrid, Gregorio Paniagua to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Lachrimae or Seven Tears: XV. Captain Piper his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Tiers livre de danseries: Les Bouffons: Les Bouffons | Jean d'Estrée, Ensemble Buon tempo | B Major | 3 | 1B | 96 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Suite in E Minor: I. Prelude | Robert de Visée, Yasunori Imamura | E♭ Minor | 1 | 2A | 179 BPM | ||
Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
Sellenger's round | anon arr Alan Crumpler, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | A Minor | 0 | 8A | 129 BPM | ||
Praambulum | Jean-Baptiste Besard, Joachim Held | E Minor | 1 | 9A | 65 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM |
Section: 0.5124709606170654
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