"Love Is Mine" by Clarence G. Gartner, Enrico Caruso, Walter B. Rogers was released on 1990. The duration of Love Is Mine is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Love Is Mine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Love Is Mine's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love Is Mine by Clarence G. Gartner, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: "Juan Pedro y coro general" | Coros Cantores De Madrid, Manuel Ausensi | F Major | 4 | 7B | 73 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 2: "Pasteurs, que vos accents s'unissent" (Melchthal, Chorus) | Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Gwynne Howell/Charles Burles/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli | E Major | 3 | 12B | 69 BPM | ||
Nabucco | Verdi | F Major | 1 | 7B | 122 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM | ||
Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM | ||
Il barbiere di Siviglia / Act 1: Questa bestia di soldato | Gioachino Rossini, Fernando Corena, Manuel Ausensi, Stefania Malagu, Nicolai Ghiaurov, Ugo Benelli, Teresa Berganza, Dino Mantovani, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 4 | 8B | 120 BPM | ||
Un bel dì vedremo (As heard in the series "Genius MLK / X") [Live] | Nicola D'Agostino, Marjorie Lawrence | B♭ Minor | 1 | 3A | 74 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
12. Spurn not the nobly born | Arthur Sullivan, Mary Sansom, Thomas Round, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 78 BPM |
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