"When Christ Was Born of Mary Free, Op. 55 (Arr. for Choir & Percussion)" by John Gardner, The Chapel Choir of Marlborough College, Robin Nelson, Unknown Artist was released on June 19, 2001. The duration of When Christ Was Born of Mary Free, Op. 55 (Arr. for Choir & Percussion) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. When Christ Was Born of Mary Free, Op. 55 (Arr. for Choir & Percussion)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 25 in Advent to Christmas by The Chapel Choir of Marlborough College, Robin Nelson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. When Christ Was Born of Mary Free, Op. 55 (Arr. for Choir & Percussion) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When Christ Was Born of Mary Free, Op. 55 (Arr. for Choir & Percussion) by John Gardner, The Chapel Choir of Marlborough College, Robin Nelson, Unknown Artist is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ballad of the White Horse, Op. 40: No. 8, The Scouring of the Horse | John Gardner, Ashley Riches, City of London Choir, Paulina Voices, BBC Concert Orchestra, Hilary Davan Wetton | D♭ Major | 0 | 3B | 133 BPM | ||
Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Minor | 0 | 5A | 73 BPM | ||
St. Theodulph "All Glory, Laud and Honour" | Melchior Teschner, Choir Of All Saints Margaret Street London, Andrew Arthur, Harry Bramma | C Major | 3 | 8B | 97 BPM | ||
Nunc Dimittis in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | F Minor | 9 | 4A | 140 BPM | ||
Les Chansons des roses: No. 2. Contre qui, rose | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 78 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Simple Gifts | Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell | A♭ Major | 1 | 4B | 133 BPM |
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