"Semiramide / Act 1: Introduzione" by Gioachino Rossini, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. The duration of Semiramide / Act 1: Introduzione is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Semiramide / Act 1: Introduzione's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #7. In terms of popularity, Semiramide / Act 1: Introduzione is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semiramide / Act 1: Introduzione by Gioachino Rossini, Orchestra of St. Luke's, Patrick Summers having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) | Sinfonieorchester Basel | C Major | 2 | 8B | 133 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Che cosa accadde, signori miei (Figaro/Bartolo/Conte/Rosina/Berta/Basilio/Coro/Uffiziale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 3 | 7B | 125 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
Section: 0.8890688419342041
End: 0.8939168453216553