Antonio Vivaldi, Angèle Dubeau, La Pietà's 'L'amoroso Concerto R.V. 271 pour violon en mi majeur: I. Allegro' came out on March 26, 1998. With this song being about 5 minutes long, at 4:52, "L'amoroso Concerto R.V. 271 pour violon en mi majeur: I. Allegro" by Antonio Vivaldi, Angèle Dubeau, La Pietà is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Concertos for Strings by Antonio Vivaldi, Angèle Dubeau, La Pietà. The song's track number on the album is #17 out of 25 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of L'amoroso Concerto R.V. 271 pour violon en mi majeur: I. Allegro is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since L'amoroso Concerto R.V. 271 pour violon en mi majeur: I. Allegro by Antonio Vivaldi, Angèle Dubeau, La Pietà has a tempo of 161 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With L'amoroso Concerto R.V. 271 pour violon en mi majeur: I. Allegro being at 161 BPM, the half-time would be 80 BPM with a double-time of 322 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
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