- BPM
- 92
- Key
- A♭ Major
- Camelot
- 4B
The Firebird Suite: Berceuse - Igor Stravinsky, David Hays, Peter Collins Information
- Acousticness
- 96%
- Danceability
- 22%
- Energy
- 18%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 4%
- Loudness
- -14.853 dB
Summary
"The Firebird Suite: Berceuse" by Igor Stravinsky, David Hays, Peter Collins was released on January 8, 2013. The duration of The Firebird Suite: Berceuse is about 3 minutes long, at 3:09. Based on our data, "The Firebird Suite: Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 18 in Brahms: Lullaby; Lullabies and Nocturne for Violin and Piano by David Hays, Peter Collins. In terms of popularity, The Firebird Suite: Berceuse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Firebird Suite: Berceuse BPM
The tempo marking of The Firebird Suite: Berceuse by Igor Stravinsky, David Hays, Peter Collins is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The Firebird Suite: Berceuse Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ode, Elegiac Chant in 3 parts: II. Eclogue | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | |
 | Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | |
 | Daphnis et Chloé, M. 57 / Première partie: Danse des jeunes filles - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E♭ Minor | 1 | 2A | 116 BPM | |
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5777339935302734
End: 0.5826146602630615