"Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo" by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis was released on November 8, 1995. The duration of Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in Albinoni: Oboe Concertos, Vol. 2 by Tomaso Albinoni. Based on our statistics, Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute and Oboe in C Major: Largo | Antonio Salieri, Anthony Camden, Peter Lloyd, City of London Sinfonia, Nicholas Ward | F Major | 1 | 7B | 62 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto for Violin No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Gli Incogniti, Amandine Beyer | D♭ Minor | 4 | 12A | 113 BPM | ||
Musique de table, Part II: Conclusion in D Major, TWV 50:9: I. Allegro - Adagio - Allegro | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 2 | 3B | 114 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Grüsse an die Aula, Op. 233 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 1 | 6B | 184 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Tafelmusik Baroque Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM |
Section: 0.5783364772796631
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