Lesley Garrett's 'The last rose of Summer' came out on October 12, 1992. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Prima Donna". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The last rose of Summer's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The last rose of Summer by Lesley Garrett having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canteloube: Chants d'Auvergne, Series 4: No. 20, Chut, chut | Lesley Garrett, Paul Daniel, London Session Orchestra | B Minor | 2 | 10A | 72 BPM | ||
Lakmé: Sous le dome épais (Flower duet) | Heather Begg, Glenys Fowles | B Major | 1 | 1B | 169 BPM | ||
Catalani: La Wally, Act 1: "Ebben? ... Ne andrò lontana" (La Wally) | Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France | E Major | 2 | 12B | 86 BPM | ||
Cosi fan tutte, K. 588, Act II: At fifteen a girl already must be truly wise (Despina) | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Orchestra of the Age of Enlightenment, Lesley Garrett | C Major | 1 | 8B | 78 BPM | ||
The Mikado: Comes a Train of Little Ladies | Jean Rigby, Lesley Garrett, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Lascia Ch'io Pianga | OperaBabes | F Major | 2 | 7B | 84 BPM | ||
Séguedille (from Carmen) | Georges Bizet, Lesley Garrett, Peter Robinson | G Major | 1 | 9B | 87 BPM | ||
Rinaldo, HWV 7: "Lascia ch'io pianga" | Yvonne Kenny | E Major | 1 | 12B | 170 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM |
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