Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs
Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques
Antonio Salieri: Les Horaces
1:02 2016
BPM
143
Key
G Major
Camelot
9B

Embed

Share Link

Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs - Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques Information

Acousticness
84%
Danceability
38%
Energy
44%
Instrumentalness
8%
Liveness
13%
Loudness
81%
Speechiness
7%
Valence
28%
Popularity
Loudness
-11.134 dB

Summary

Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques's 'Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs' came out on 2016. With Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 44 out of 55 in Antonio Salieri: Les Horaces by Antonio Salieri, Nicolas-François Guillard, Julien Dran, Jean-Sébastien Bou, Judith van Wanroij, Andrew Foster-Williams, Christophe Rousset, Les Talens Lyriques, Cyrille Dubois, Les Chantres du Centre de Musique Baroque de Versailles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs BPM

The tempo marking of Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs by Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto by Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelSymphony for Flute, Oboe, Horn and Strings in D Major: III. PrestoDomenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelD Major110B78 BPM
Symphony No.9 In E Minor, Op.95, B. 178 Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivaceAntonín Dvořák, Wiener Philharmoniker, Herbert von KarajanE Minor19A120 BPM
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro by Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyOboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. AllegroAntonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyD Minor17A129 BPM
Cello Concerto No. 1 in G Major: III. Rondo: Allegro by Carl Stamitz, Christian Benda, Prague Chamber OrchestraCello Concerto No. 1 in G Major: III. Rondo: AllegroCarl Stamitz, Christian Benda, Prague Chamber OrchestraG Major19B137 BPM
L'Arlésienne Suite No.1: Carillon by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: CarillonGeorges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanE Major012B65 BPM
Holberg Suite, Op. 40: V. Rigaudon (Version for Strings) by Edvard Grieg, Australian Chamber Orchestra, Richard TognettiHolberg Suite, Op. 40: V. Rigaudon (Version for Strings)Edvard Grieg, Australian Chamber Orchestra, Richard TognettiG Major19B144 BPM
Armida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene) by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa IervolinoArmida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene)Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa IervolinoB♭ Major16B125 BPM
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 1. AllegroFranz Schubert, Wiener Philharmoniker, Claudio AbbadoG Major09B156 BPM
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato by Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek ŠtilecSymphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderatoLeopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek ŠtilecA Major211B145 BPM
Symphony in D Major, Op. 3, No. 2: II. Andantino by Johann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongSymphony in D Major, Op. 3, No. 2: II. AndantinoJohann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongG Major09B113 BPM
ISRC
FROV61618544
Label
L-M Records/RCA Records

Section: 0.6492373943328857

End: 0.6525166034698486