Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques's 'Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs' came out on 2016. With Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 44 out of 55 in Antonio Salieri: Les Horaces by Antonio Salieri, Nicolas-François Guillard, Julien Dran, Jean-Sébastien Bou, Judith van Wanroij, Andrew Foster-Williams, Christophe Rousset, Les Talens Lyriques, Cyrille Dubois, Les Chantres du Centre de Musique Baroque de Versailles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Horaces, Acte III, Scène 4: Que de plus nobles fleurs by Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 144 BPM | ||
Armida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino | B♭ Major | 1 | 6B | 125 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM |
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