"Second Suite for solo Cello, Op. 3: Linéaire" by Thomas Hyde, Katherine Jenkinson, John Traill was released on September 15, 2012. The duration of Second Suite for solo Cello, Op. 3: Linéaire is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Second Suite for solo Cello, Op. 3: Linéaire's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 17 in Autumnal - Chamber Music by Thomas Hyde by Thomas Hyde, Various Artists, John Traill. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Second Suite for solo Cello, Op. 3: Linéaire is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Second Suite for solo Cello, Op. 3: Linéaire by Thomas Hyde, Katherine Jenkinson, John Traill is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant II. Allegro moderato | Ralph Vaughan Williams, London Philharmonic Orchestra, Vernon Handley | B Minor | 1 | 10A | 81 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Chamber Concerto for Piano and Strings - Toccata | David Joseph, Melbourne Chamber Orchestra, Michael Kieran Harvey, Spiros Rantos | D♭ Major | 6 | 3B | 127 BPM | ||
Symphony No. 2: Introduction | Christian Lindberg, Göteborg Wind Orchestra | G Minor | 0 | 6A | 73 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM |
Section: 0.576317310333252
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