"Children's Corner, L. 113: III. Serenade for the Doll" by Claude Debussy, Peter Schmalfuss was released on January 8, 2022. The duration of Children's Corner, L. 113: III. Serenade for the Doll is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Children's Corner, L. 113: III. Serenade for the Doll's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Piano Virtuosos". In this album, this song's track order is #34. Based on our statistics, Children's Corner, L. 113: III. Serenade for the Doll's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Children's Corner, L. 113: III. Serenade for the Doll by Claude Debussy, Peter Schmalfuss having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Boléro | Maurice Ravel, Samo Hubad, RSO Ljubljana | C Major | 1 | 8B | 96 BPM | ||
Etude, op. 10/12, C-Moll: Allegro con fuoco | Peter Schmalfuss | B♭ Major | 2 | 6B | 97 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Morning' from Peer Gynt | Radio Orchestra Berlin | E♭ Major | 1 | 5B | 61 BPM | ||
Lute Concerto in D Major, RV 93 (arr. A. Gentile): II. Largo | Antonio Vivaldi, Andrew Gentile, Jeffrey Biegel | D Major | 0 | 10B | 123 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM |
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