"Three sketches for solo cello II" by Jonathan Harvey, Frances-Marie Uitti was released on January 1, 1991. The duration of Three sketches for solo cello II is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Three sketches for solo cello II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Harvey, The Arturo Toscanini Orchestra, José Ramón Encinar, Frances-Marie Uitti's "Jonathan Harvey, Cello Concerto, Curve with plateaux, Sketches and Philia's dream" album is number 5 out of 7. In terms of popularity, Three sketches for solo cello II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three sketches for solo cello II by Jonathan Harvey, Frances-Marie Uitti to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Considering Matthew Shepard: Passion, 8. Recitation III | Craig Hella Johnson, Conspirare | E♭ Minor | 1 | 2A | 91 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Mass No. 2 in E Minor, WAB 27: Gloria | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Missa Maria Magdalena: Kyrie | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | C Minor | 2 | 5A | 84 BPM |
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