Theobald Boehm, Claudio Ferrarini, Accademia Farnese made "Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VI. Variazione IV Canto marcato" available on January 12, 2020. With Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VI. Variazione IV Canto marcato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "Theobald Boehm: Fantasies and Arie from Europe". In this album, this song's track order is #23. Based on our statistics, Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VI. Variazione IV Canto marcato's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VI. Variazione IV Canto marcato by Theobald Boehm, Claudio Ferrarini, Accademia Farnese having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in D Major: III. Finale: vivace | Joseph Haydn, Alberto Lizzio, Bamberger Kammerorchester | F Major | 0 | 7B | 67 BPM | ||
Sinfonia No. 5 in B-Flat Major, MWV N5: I. Allegro vivace | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | A Minor | 0 | 8A | 65 BPM | ||
Corrente quinta Andante - Remastered | Giovanni Battista Vitali, Accademia Farnese | C Major | 2 | 8B | 103 BPM | ||
Pavan | John Dowland, Thurston Dart, Boyd Neel String Orchestra | C Major | 2 | 8B | 117 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: Ⅶ. Badinerie | 麥家樂, Russian Chamber Symphony Orchestra | G Major | 2 | 9B | 97 BPM | ||
Six duo per flauto e viola obbligata, Op. 4: IV. Duo in mi bemolle maggiore: II. Rondo grazioso. Tempo di minuetto | Giuseppe Maria Cambini, Claudio Ferrarini, Jodi Leskowitz | E♭ Major | 2 | 5B | 75 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VII. Variazione V | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 116 BPM | ||
Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto | Carl Stamitz, Johann Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | G Major | 2 | 9B | 127 BPM | ||
28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute in G Major: Variation 27 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 3 | 9B | 102 BPM |
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