"Carmen, Act 3: C'est des contrebandiers...Je dis, que rien ne m'Úpouvante" by Georges Bizet, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi, French Radio Philharmonic Orchestra was released on June 5, 1987. Carmen, Act 3: C'est des contrebandiers...Je dis, que rien ne m'Úpouvante is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 4 out of 10 in Airs d'Opera - Opera Arias by Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France. The popularity of Carmen, Act 3: C'est des contrebandiers...Je dis, que rien ne m'Úpouvante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Act 3: C'est des contrebandiers...Je dis, que rien ne m'Úpouvante by Georges Bizet, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi, French Radio Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 0 | 6B | 90 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
L’Arlésienne Suite No. 2: III. Minuet | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | E♭ Major | 0 | 5B | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM |
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