"Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden" by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields was released on February 1, 2011. With this song being about 5 minutes long, at 4:39, "Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden" by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Relaxing Classics, so we believe that "Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden" is a single. In terms of popularity, Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 2 | 12B | 183 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM |
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