Jacopo PeriGiulio Caccini, Ensemble Pygmalion, Raphael Pichon's 'Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice"' came out on May 19, 2017. The duration of Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice" is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #2. Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice" by Jacopo PeriGiulio Caccini, Ensemble Pygmalion, Raphael Pichon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa S. Marcellini: XX. Et unam sanctam catholicam - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 1 | 3B | 84 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Sistite sidera, coeli motus otiamini: No. 6, Aria, "Praestet tellus encomia florum" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 99 BPM | ||
Die Himmel erzählen die Ehre Gottes, Op.11, No.18, SWV 386 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Primo libro de' madrigali, Op. 1: Volano frettolosi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM |
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