"Etude No. 11" by Heitor Villa-Lobos, Marco Antonio Anguiano was released on April 1, 2009. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 18 in Etudes et Préludes pour la Guitare by Heitor Villa-Lobos, Marco Antonio Anguiano. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. Etude No. 11 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Etude No. 11 by Heitor Villa-Lobos, Marco Antonio Anguiano is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux Arabesques, L. 66: No. 1 Andante con moto | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 129 BPM | ||
Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
España, Op. 165: II. Tango | Isaac Albéniz, Daniel Barenboim | D Major | 0 | 10B | 66 BPM | ||
Valsa de esquina No. 5 | Francisco Mignone, Clelia Iruzun | E Minor | 0 | 9A | 83 BPM |
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