Giulietta Simionato, Wiener Philharmoniker, Ettore Bastianini, Herbert von Karajan made "Gala Sequence" available on September 13, 2011. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 34 in Die Fledermaus by Various Artists. Gala Sequence is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gala Sequence by Giulietta Simionato, Wiener Philharmoniker, Ettore Bastianini, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème: Ahi! Qual dolore, qual bruciore! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Bianca Bellesia, Guido Pasella, Vito Mattioli, Alberta Pellegrini, Luciano Pavarotti, Walter De | G Major | 5 | 9B | 132 BPM | ||
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Lucia di Lammermoor, Act II: Ah! cedi, cedi | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | ||
Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 1: Recitativo: "O numi, barbari numi" - Live | Christoph Willibald Gluck, Graziella Sciutti, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 84 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
Un ballo in maschera / Act 1: "S'avanza il Conte" | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
Norma: Act II: In mia man alfin tu sei (Norma, Pollione) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Anna Bolena: Act II: Sul suo capo aggravi un Dio (Anna, Giovanna) | Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Giulietta Simionato, Gianandrea Gavazzeni | B Minor | 7 | 10A | 83 BPM | ||
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM |
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