"Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. The duration of Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #39. Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Palestrina: Missa Papae Marcelli - 04. Gloria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Major | 2 | 1B | 75 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 126 BPM |
Section: 0.660759687423706
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