Landon Ronald, Enrico Caruso, Walter B. Rogers's 'Sérénade espagnole' came out on 1990. The duration of Sérénade espagnole is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Sérénade espagnole's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Based on our statistics, Sérénade espagnole's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sérénade espagnole by Landon Ronald, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
A Symphonic Mass for Chorus & Orchestra: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo Heltay | E♭ Minor | 2 | 2A | 123 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Amarilli (Recorded 1939) | Francesca Caccini, Beniamino Gigli | E Minor | 0 | 9A | 77 BPM | ||
Martha (Sung in English): Martha: Act II: The Last Rose of Summer (Sung in English) (take 2) | Friedrich von Flotow, Adelina Patti, Landon Ronald | D Major | 0 | 10B | 118 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Barbara Allen (Recorded 1910) | Traditional, Clara Butt, Landon Ronald | C Major | 0 | 8B | 83 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Madama Butterfly, Act III: Addio, fiorito asil | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM |
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