"Ave Maria" by Johann Sebastian Bach, Charles Gounod, Anna Lapwood was released on September 29, 2023. The duration of Ave Maria is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anna Lapwood's "Luna" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. Ave Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Johann Sebastian Bach, Charles Gounod, Anna Lapwood to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
The Sixth Sense: Lonely Boy | James Newton Howard, Jean-Yves Thibaudet | G Major | 0 | 9B | 133 BPM | ||
Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
Four Sea Interludes Op. 33a: III. Moonlight - Arr. for Organ by Anna Lapwood | Benjamin Britten, Anna Lapwood | B♭ Major | 0 | 6B | 72 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
I Heard the Voice of Jesus Say | James Devor, Anna Lapwood, The Pembroke College Girls’ Choir, Owen Saldanha | A Major | 1 | 11B | 139 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Images | Owain Park, Anna Lapwood | E♭ Minor | 0 | 2A | 74 BPM |
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