"Symphony In C Major: II. Adagio" by New Zealand Symphony Orchestra, Georges Bizet was released on November 4, 1994. Since Symphony In C Major: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Bizet: Symphony In C Major/Jeux D'enfants/Scènes Bohémiennes by New Zealand Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Symphony In C Major: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony In C Major: II. Adagio by New Zealand Symphony Orchestra, Georges Bizet is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Vintner's Daughter, Twelve Variations on a French Folksong, Op. 23A: Vars. 9-10 | Miklos Rozsa, James Sedares, New Zealand Symphony Orchestra | G Minor | 2 | 6A | 122 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
The Sea: No. 2 Sea-foam | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E♭ Major | 1 | 5B | 71 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Scenes de feerie, "Suite No. 6": I. Cortege | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | G Major | 4 | 9B | 136 BPM |
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