Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Jolanda Gardino, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 1: "Nostra patria e il mondo intero" (Coro, Zaida, Albazar)" available on 1955. The duration of Rossini: Il turco in Italia, Act 1: "Nostra patria e il mondo intero" (Coro, Zaida, Albazar) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 1: "Nostra patria e il mondo intero" (Coro, Zaida, Albazar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il turco in Italia, Act 1: "Nostra patria e il mondo intero" (Coro, Zaida, Albazar) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini: Il turco in Italia, Act 1: "Nostra patria e il mondo intero" (Coro, Zaida, Albazar) by Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Jolanda Gardino, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Manon Lescaut / Act 1: Ave, sera gentile | Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F♯ Minor | 2 | 11A | 128 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Semiramide, IGR 60, Act III: "Giorno d'orrore! E di contento" (Semiramide, Arsace) | Gioacchino Rossini, Orchestra Del Teatro Alla Scala, Milano, Gabriele Santini, Dame Joan Sutherland, Giulietta Simionato | B♭ Major | 2 | 6B | 85 BPM | ||
Les Pêcheurs de perles, WD 13, Act II: Me voilà seule dans la nuit | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Julie Fuchs | F Major | 0 | 7B | 71 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM |
Section: 0.7042381763458252
End: 0.7091550827026367