"Pléïades: II. Claviers" by Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin was released on December 31, 1990. Since Pléïades: II. Claviers is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Xenakis: Pleiades / Psappha by Iannis Xenakis, Gert Mortensen, Kroumata Percussion Ensemble, Anders Loguin. The song's track number on the album is #2 out of 5 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Pléïades: II. Claviers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pléïades: II. Claviers by Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pléïades: II. Claviers being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mairzy Doats | Stuart Dempster, Pauline Oliveros, David Gamper, Zero the Clown, Deep Listening Band | A♭ Major | 1 | 4B | 66 BPM | ||
Light in Darkness | Evelyn Glennie | G Major | 0 | 9B | 145 BPM | ||
Overture of the plastic flute | Upside Down Upright Bass | E Major | 1 | 12B | 142 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Sånger å de Osjungnas Vägnar: II. 100 Osjungna Röster: I | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Pájaros Azules: IV. El Fardo | TATIANA PERILLA, Carlos Parra | D Major | 1 | 10B | 169 BPM | ||
Mysterious bells | Aisha Okafor | D♭ Major | 0 | 3B | 181 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM |
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