Wolfgang Amadeus Mozart, Plinio Clabassi, Mario Petri, Elisabeth Schwarzkopf, Coro di Milano della RAI, Alda Noni, Giuseppe Taddei, Nicolai Gedda, Orchestra Sinfonica Nazionale della RAI di Milano, Rita Streich, Herbert von Karajan's 'Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Io son l'uccellatore (Papageno)' came out on March 1, 2015. With Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Io son l'uccellatore (Papageno) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Herbert von Karajan's "Mozart: Die Zauberflöte (The Magic Flute), K. 620 [Sung in Italian] [Recorded 1953]" album is number 4 out of 53. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Io son l'uccellatore (Papageno) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Io son l'uccellatore (Papageno) by Wolfgang Amadeus Mozart, Plinio Clabassi, Mario Petri, Elisabeth Schwarzkopf, Coro di Milano della RAI, Alda Noni, Giuseppe Taddei, Nicolai Gedda, Orchestra Sinfonica Nazionale della RAI di Milano, Rita Streich, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de Genève | G Major | 0 | 9B | 109 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM |
Section: 0.7231183052062988
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