Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3e, Pas de six. Variation III "Breadcrumb"' came out on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3e, Pas de six. Variation III "Breadcrumb" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #8. Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3e, Pas de six. Variation III "Breadcrumb" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3e, Pas de six. Variation III "Breadcrumb" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Sylvia: Act I: Faunes et Dryades (Scherzo) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 81 BPM | ||
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
Coppelia: Act III - Variation | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 101 BPM | ||
Henry VIII: Gigue et finale | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Minor | 1 | 5A | 150 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
La Mer, L. 109: II. Jeux de vagues | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante’s Variations | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | G Major | 0 | 9B | 79 BPM |
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