"Suite in A Minor: V. Sarabanda amorosa (Adagio)" by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford was released on November 20, 2020. The duration of Suite in A Minor: V. Sarabanda amorosa (Adagio) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Suite in A Minor: V. Sarabanda amorosa (Adagio)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Mad Lover". In this album, this song's track order is #9. Based on our statistics, Suite in A Minor: V. Sarabanda amorosa (Adagio)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in A Minor: V. Sarabanda amorosa (Adagio) by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Ouverture | Cologne Chamber Orchestra | A Minor | 2 | 8A | 91 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Divisions on a Ground | Thomas Tollett, Lucie Horsch, Charlotte Barbour-Condini | F♯ Major | 1 | 2B | 109 BPM | ||
Destouches: Marthésie, première reine des amazones: "Faible fierté, gloire impuissante" (Thalestris) | André Cardinal Destouches, Lea Desandre, Jupiter, Thomas Dunford | E♭ Minor | 1 | 2A | 82 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Das alte jahr vergangen ist, BWV 614 | Johann Sebastian Bach, Palladian Ensemble | D♭ Minor | 0 | 12A | 63 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 2 | 4B | 131 BPM |
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