Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Nutcracker (Ballet), Op. 71, TH 14, Act 1 Tableau 1: No. 2, Marche (Tempo di marcia viva)" available on July 2, 2007. The duration of Tchaikovsky: The Nutcracker (Ballet), Op. 71, TH 14, Act 1 Tableau 1: No. 2, Marche (Tempo di marcia viva) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Tchaikovsky: The Nutcracker (Ballet), Op. 71, TH 14, Act 1 Tableau 1: No. 2, Marche (Tempo di marcia viva)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Tchaikovsky: The Nutcracker / Lovenskiold: La Sylphide". In this album, this song's track order is #3. Tchaikovsky: The Nutcracker (Ballet), Op. 71, TH 14, Act 1 Tableau 1: No. 2, Marche (Tempo di marcia viva) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tchaikovsky: The Nutcracker (Ballet), Op. 71, TH 14, Act 1 Tableau 1: No. 2, Marche (Tempo di marcia viva) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM |
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