Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere - George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany Information

Acousticness: 96%
Danceability: 51%
Energy: 11%
Instrumentalness: 0%
Liveness: 25%
Loudness: 63%
Speechiness: 8%
Valence: 20%
Popularity: 0%
Loudness: -22.466 dB

Summary

George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany's 'Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere' came out on February 23, 2024. With Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Arcangelo, Jonathan Cohen's "Handel: Theodora, HWV 60" album is number 16 out of 78. On top of that, France appears to be the country where this track was created. Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere BPM

We consider the tempo marking of Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere by George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Theodora, HWV 68, Pt. II: Recitative. The Clouds Begin To Veil The Hemisphere Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro	Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana	F Major	3	7B	140 BPM
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Le Rossignol-en-Amour: 14ème ordre, 3ème livre	François Couperin, Iddo Bar-Shaï	A Major	0	11B	65 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	C Minor	1	5A	74 BPM
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Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)	Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment	E Major	3	12B	97 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Gloria: Domine Deus, Rex coelestis	Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	B Major	0	1B	66 BPM

ISRC: FR50X2302546
Label: L-M Records/RCA Records

Section: 0.7180910110473633

End: 0.7221693992614746