"Spohr : Violin Concerto No.8 in A minor Op.47 : II Adagio" by Louis Spohr, Pierre Amoyal, Armin Jordan & Lausanne Chamber Orchestra, Armin Jordan, Orchestre de Chambre de Lausanne was released on 1982. Since Spohr : Violin Concerto No.8 in A minor Op.47 : II Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Spohr : Violin Concerto No.8, Concertante & Sonata (Apex)". In this album, this song's track order is #2. In terms of popularity, Spohr : Violin Concerto No.8 in A minor Op.47 : II Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spohr : Violin Concerto No.8 in A minor Op.47 : II Adagio by Louis Spohr, Pierre Amoyal, Armin Jordan & Lausanne Chamber Orchestra, Armin Jordan, Orchestre de Chambre de Lausanne having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, Act II (1852 Version): Ich bin allein, des Abends Nahe regt die Tätigkeit | Louis Spohr, Diane Jennings, Bielefeld Philharmonic Orchestra, Geoffrey Moull | G Minor | 0 | 6A | 83 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | ||
Septet, Op. 147: 1. Allegro vivace | Louis Spohr, Pascal Rogé, Chantal Juillet, Philippa Davies, Michael Collins, Richard Watkins, Robin O'Neill, Christopher van Kampen | F Major | 0 | 7B | 84 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 16: No. 5, Thy Radiant Image | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | F Major | 2 | 7B | 200 BPM |
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