Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack made "Wiener Jubel-Marsch, Op. 245" available on December 3, 2013. With this song being about 5 minutes long, at 4:32, "Wiener Jubel-Marsch, Op. 245" by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss I, Christian Pollack, Slovak Sinfonietta, Zilina's "Johann Strauss I Edition, Vol. 25" album is number 5 out of 10. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Wiener Jubel-Marsch, Op. 245's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wiener Jubel-Marsch, Op. 245 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Military March No. 1 in D Major, Op. 39 "Pomp & Circumstance" | Edward Elgar, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 2 | 10B | 118 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Die Forelle (The Trout) | Franz Schubert, Hellen Kwon | E Major | 0 | 12B | 125 BPM |
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