"Rigoletto, Act III: V'ho Ingannato, Colpevole Fui" by Hilde Gueden, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on January 1, 2020. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Rigoletto by Various Artists. The song's track number on the album is #29 out of 29 tracks. In terms of popularity, Rigoletto, Act III: V'ho Ingannato, Colpevole Fui is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto, Act III: V'ho Ingannato, Colpevole Fui by Hilde Gueden, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act III: V'ho Ingannato, Colpevole Fui being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
A Tanto Duol (Bianca e Fernando) | José van Dam | B♭ Major | 2 | 6B | 87 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Petite Messe solennelle - Gloria: Domine Deus | Gioachino Rossini, Luciano Pavarotti, Leone Magiera, Vittoria Rosetta, Romano Gandolfi | D Major | 4 | 10B | 108 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Simon Boccanegra, Act I: Il Doge Vien | Francesco Maria Piave, Boris Christoff, Gabriele Santini, Giuseppe Campora, Giuseppe Conca, Orchestra Del Teatro Dell'Opera Di Roma, Paolo Caroli, Paolo Dari, Sylvia Bertona, Tito Gobbi, Victoria de los Ángeles, Walter Monachesi | D Minor | 4 | 7A | 175 BPM | ||
I due Foscari: "Dal più remoto esilio" | Francesco Maria Piave, Fabio Armiliato | G Major | 3 | 9B | 79 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
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