Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord - George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury Information

Acousticness: 97%
Danceability: 19%
Energy: 9%
Instrumentalness: 96%
Liveness: 10%
Loudness: 61%
Speechiness: 4%
Valence: 4%
Popularity: 2%
Loudness: -23.344 dB

Summary

"Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord" by George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury had its release date on April 11, 2000. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury's "Handel: Israel in Egypt" album is number 28 out of 48. Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord BPM

We consider the tempo marking of Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord by George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Israel In Egypt, HWV 54 / Exodus: 28. And believed the Lord Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
7 Variations on an original theme, Op. 9, J. 55: Andante	Carl Maria von Weber, Michael Endres	F Major	0	7B	121 BPM
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato	George Frideric Handel, Akademie für Alte Musik Berlin	A Major	0	11B	35 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I.	Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans	A♭ Minor	3	1A	93 BPM
Violin Concerto No. 10 in G Major: Largo	Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon	D Major	1	10B	186 BPM
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante	Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Minor	1	8A	99 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	187 BPM
Chaconne in G Major, HWV 435 (arr. E. d'Albert for piano)	Eugen d'Albert, George Frideric Handel, Roberto Cominati	G Major	1	9B	117 BPM
Sinfonia in D Major, BWV 1045: I. Allegro	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl	D Major	3	10B	98 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records