Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka - Dmitri Shostakovich, Robert Irving, Philharmonia Orchestra Information

Acousticness: 90%
Danceability: 66%
Energy: 18%
Instrumentalness: 92%
Liveness: 34%
Loudness: 65%
Speechiness: 5%
Valence: 51%
Popularity: 1%
Loudness: -21.074 dB

Summary

Dmitri Shostakovich, Robert Irving, Philharmonia Orchestra made "Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka" available on June 2, 2008. The duration of Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Ballet, so we believe that "Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka" is a single. In terms of popularity, Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka BPM

The tempo marking of Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka by Dmitri Shostakovich, Robert Irving, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Shostakovich: Suite from the Age Of Gold, Op. 22: II. Polka Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	F Major	1	7B	109 BPM
Prelude In B Minor Opus 104a No.2	Felix Mendelssohn, Bertrand Chamayou	B Minor	3	10A	81 BPM
Jazz Suite No. 2: VII. Dance 2	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Major	2	11B	109 BPM
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto	Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky	C Major	1	8B	88 BPM
Lohengrin: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	A Major	0	11B	75 BPM
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): V. Largo	Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki	C Major	0	8B	86 BPM
Raymonda, Op. 57: Act III - Variation IV	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D Minor	0	7A	90 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Jazz Suite No. 2: III. Dance 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Major	3	11B	153 BPM
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	B Minor	2	10A	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6538913249969482

End: 0.658684253692627