"8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso" by Antonín Dvořák, Daniel Barenboim was released on December 3, 2021. The duration of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Dvořák: 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso and no other songs are present in the album, we classify this track as a single. Based on our statistics, 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso by Antonín Dvořák, Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Damnation de Faust, H 111: Marche hongroise | Hector Berlioz, Orchestre de Paris, Daniel Barenboim | A Major | 2 | 11B | 83 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Kinderszenen, Op. 15: 5. Glückes genug | Robert Schumann, Daniel Barenboim | D Major | 0 | 10B | 74 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen | Robert Schumann, Daniel Barenboim | G Major | 0 | 9B | 68 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM |
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