"Messe in D: III. Credo" by Johannes Ockeghem, Ensemble Musica Nova was released on November 5, 2007. Since Messe in D: III. Credo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Ockeghem: Missa Cuiusvis Toni". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Messe in D: III. Credo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe in D: III. Credo by Johannes Ockeghem, Ensemble Musica Nova having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ordo virtutum: Virtutes – O, Deus, quis es tu? | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 80 BPM | ||
Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
All-Night Vigil, Op. 37: Hexapsalms | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM | ||
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Missa Prolationum: Credo | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 2 | 7B | 86 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM |
Section: 0.5701663494110107
End: 0.577970027923584