"Arabeske in C Major, Op. 18: No. 2 Minore I" by Robert Schumann, Maria João Pires was released on April 11, 2020. The duration of Arabeske in C Major, Op. 18: No. 2 Minore I is about 3 minutes long, at 3:02. Based on our data, "Arabeske in C Major, Op. 18: No. 2 Minore I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Work From Home With Schumann by Robert Schumann. The song's track number on the album is #36 out of 97 tracks. Arabeske in C Major, Op. 18: No. 2 Minore I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Arabeske in C Major, Op. 18: No. 2 Minore I by Robert Schumann, Maria João Pires has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Arabeske in C Major, Op. 18: No. 2 Minore I being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Waldszenen, Op. 82: No. 1 Eintritt | Robert Schumann, Maria João Pires | B♭ Major | 0 | 6B | 126 BPM |
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