Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde made "Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas" available on January 1, 2007. The duration of Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Telemann, G.P.: Overture (Suites) in C Major / E Minor / F Major". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas by Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: IV. Allegro | Georg Philipp Telemann, Boris Begelman | D♭ Major | 4 | 3B | 124 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: I. Andante e spiccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 2 | 12A | 74 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM |
Section: 0.6462235450744629
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