Giovanni Zamboni, Luciano Còntini's 'Lute Sonata, Op. 1, No. 7: V. Ceccona' came out on April 1, 2014. With this song being about 5 minutes long, at 4:30, "Lute Sonata, Op. 1, No. 7: V. Ceccona" by Giovanni Zamboni, Luciano Còntini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zamboni: Sonatas for Lute by Giovanni Zamboni, Luciano Còntini. The song's track number on the album is #31 out of 31 tracks. In terms of popularity, Lute Sonata, Op. 1, No. 7: V. Ceccona is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lute Sonata, Op. 1, No. 7: V. Ceccona by Giovanni Zamboni, Luciano Còntini has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute Sonata, Op. 1, No. 7: V. Ceccona being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piva ala ferrarese - Intabulatura de lauto, Libro quarto | Joan Ambrosio Dalza, Hopkinson Smith | B♭ Major | 2 | 6B | 81 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
Suite in G Minor: VII. Gigue | François Dufaut, André Henrich | F♯ Minor | 2 | 11A | 111 BPM | ||
Pieces in D Minor and A Minor: VI. Canaries | Edward Martin, Thomas Walker | D♭ Minor | 3 | 12A | 94 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Der ander Theil des Lautenbuchs: Ich klag den tag (I lament the day) | Hans Neusidler, Ronn McFarlane | F♯ Major | 0 | 2B | 80 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM |
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