Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Tunde Franko, Anita Bader, Jolana Fogasova, David Cale Johnson, Jaroslava Horska's 'Francesca da Rimini, Op. 4, Act I, Scene 1: Adonella, Adonella, c'è il giullare in corte (Garsenda, Biancofiore, Altichiara, Il Giullare, Garsenda)' came out on 1994. With Francesca da Rimini, Op. 4, Act I, Scene 1: Adonella, Adonella, c'è il giullare in corte (Garsenda, Biancofiore, Altichiara, Il Giullare, Garsenda) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #2 out of 47 tracks. In terms of popularity, Francesca da Rimini, Op. 4, Act I, Scene 1: Adonella, Adonella, c'è il giullare in corte (Garsenda, Biancofiore, Altichiara, Il Giullare, Garsenda) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Francesca da Rimini, Op. 4, Act I, Scene 1: Adonella, Adonella, c'è il giullare in corte (Garsenda, Biancofiore, Altichiara, Il Giullare, Garsenda) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Tunde Franko, Anita Bader, Jolana Fogasova, David Cale Johnson, Jaroslava Horska has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 1: Adonella, Adonella, c'è il giullare in corte (Garsenda, Biancofiore, Altichiara, Il Giullare, Garsenda) being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | ||
Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
Puccini: Madama Butterfly, Act 2: "Ora a noi" (Butterfly, Sharpless) | Giacomo Puccini, Maria Callas, Mario Borriello, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Francesca da Rimini, Op. 4, Act II: Questo cimento | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Major | 4 | 10B | 96 BPM | ||
L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
Francesca da Rimini: Act I: Madonna Francesca! (Le Donne, Francesca, Chorus) | Riccardo Zandonai, Ilva Ligabue, Nicoletta Panni, Fernando Valentini, Aldo Protti, Mirto Picchi, Piero de Palma, Alberta Valentini, Renata Mattioli, Bianca-Maria Casoni, Palma Martini, Luisa Ribacchi, Mario Carlin, Paolo Pedani, Guido Pasella, Coro di Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Nino Sanzogno | D Major | 5 | 10B | 96 BPM | ||
Dormi, mia bella, dormi | Riccardo Zandonai, Margherita Guarino, Stefano Guarino | E♭ Major | 0 | 5B | 90 BPM |
Section: 0.7802739143371582
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