Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs's 'Circe: XV. Deuxième Bourrée pour les mêmes' came out on May 31, 2023. With Circe: XV. Deuxième Bourrée pour les mêmes being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 15 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XV. Deuxième Bourrée pour les mêmes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circe: XV. Deuxième Bourrée pour les mêmes by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Vénus & Adonis, Act I, Scene 4: No. 11, Recitative "Vous qui reconnoissez ma puissance suprême" (Vénus, Adonis) | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | C Minor | 1 | 5A | 73 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Stabat Mater in F Minor, RV 621: No. 6., Pro peccatis suæ gentis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Per un bacio | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A Major | 0 | 11B | 129 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Te deum, LWV 55: XIII. Dignare Domine die isto | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |
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