"3. Variation im alten Stil über ""Vom Himmel hoch, da komm ich her": Trio" by n/a, 0, Pierre Pincemaille was released on 1998. With 3. Variation im alten Stil über ""Vom Himmel hoch, da komm ich her": Trio being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in 0, n/a, Pierre Pincemaille's "Improvisationen (an der grossen Kuhn-Orgel des Mindener Doms)" album is number 12 out of 13. On top of that, Germany appears to be the country where this track was created. 3. Variation im alten Stil über ""Vom Himmel hoch, da komm ich her": Trio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3. Variation im alten Stil über ""Vom Himmel hoch, da komm ich her": Trio by n/a, 0, Pierre Pincemaille to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Der rote Mantel: Ein Jüngling | n/a, Luigi Nono, Angelika Luz, Deutsches Symphonie-Orchester Berlin | D♭ Major | 0 | 3B | 48 BPM | ||
Cura Emocional | Sinta Positivo | B♭ Major | 0 | 6B | 73 BPM | ||
Mythologies: I. Aurora | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | A♭ Major | 0 | 4B | 58 BPM | ||
Closing circle | Upside Down Upright Bass | A Major | 1 | 11B | 76 BPM | ||
Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
Shaker Loops: II. Hymning Slews | John Adams, Oxalys | A Major | 0 | 11B | 61 BPM | ||
Prolog | Harald Weiss, n/a | D♭ Major | 0 | 3B | 105 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM |
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