"Charpentier : Médée, Act 4: "Mon pouvoir s'est connu" (Médée, Créon, Nérine)" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants was released on March 28, 1995. With Charpentier : Médée, Act 4: "Mon pouvoir s'est connu" (Médée, Créon, Nérine) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 55 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Charpentier : Médée, Act 4: "Mon pouvoir s'est connu" (Médée, Créon, Nérine) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 4: "Mon pouvoir s'est connu" (Médée, Créon, Nérine) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Christ lag in Todesbanden: IVd. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Te Deum: III. Te aeternum patrem | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 1 | 3B | 79 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
Section: 0.6692671775817871
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