Grand Orchestre de la Nuit de Paris, Maxim's made "Orpheus in the Underworld, CanCan Theme - Orphée Aux Enfers" available on February 3, 2013. The duration of Orpheus in the Underworld, CanCan Theme - Orphée Aux Enfers is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Orpheus in the Underworld, CanCan Theme - Orphée Aux Enfers's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 6 in French Cancan, Cabaret in Paris by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Luxembourg. The popularity of Orpheus in the Underworld, CanCan Theme - Orphée Aux Enfers is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Orpheus in the Underworld, CanCan Theme - Orphée Aux Enfers by Grand Orchestre de la Nuit de Paris, Maxim's is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Champs Elysées (Chorus) | Michael Antony Deighan, Michael Wilsaw, Chœur de l'Armée française, Aurore Tillac, Orchestre De La Garde Republicaine | G Major | 6 | 9B | 151 BPM | ||
Angelica E Tancredi | Nino Rota | D♭ Major | 2 | 3B | 81 BPM | ||
Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM | ||
La Valse De L'Empereur (J. Strauss) | Cérémonie De Mariage | D Major | 2 | 10B | 97 BPM | ||
Tulpen Uit Amsterdam | Draaiorgel De Waterpoorter | A♭ Major | 5 | 4B | 105 BPM | ||
Titina (Orch. E. Powell & D. Raksin) | NDR Radiophilharmonie, Timothy Brock | E Minor | 1 | 9A | 110 BPM | ||
La fête foraine | Orgue De Lekkerkerker | E♭ Major | 6 | 5B | 95 BPM | ||
Hymne Vaudois | Hptm Max Schenk, Rekrutenspiele Schweizer Militärmusik | F Major | 2 | 7B | 78 BPM | ||
Samba CanCan - Brazilian CanCan | The Brazilian Sinfonietta | F Minor | 10 | 4A | 135 BPM | ||
Générique - From "Le Gendarme se marie" | Raymond Lefèvre | C Major | 8 | 8B | 167 BPM |
Section: 1.5791053771972656
End: 1.584139108657837