- BPM
- 80
- Key
- D Minor
- Camelot
- 7A
La valse des regrets - Johannes Brahms, Mireille Mathieu Information
- Acousticness
- 92%
- Danceability
- 26%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 80%
- Speechiness
- 5%
- Valence
- 32%
- Popularity
- 8%
- Loudness
- -12.174 dB
Summary
Johannes Brahms, Mireille Mathieu's 'La valse des regrets' came out on November 9, 2018. The duration of La valse des regrets is about 3 minutes long, at 3:16. Based on our data, "La valse des regrets" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mireille Mathieu's "Mes classiques" album is number 15 out of 18. La valse des regrets is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La valse des regrets BPM
We consider the tempo marking of La valse des regrets by Johannes Brahms, Mireille Mathieu to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
La valse des regrets Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | |
 | Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | |
 | Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | |
 | Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6826107501983643
End: 0.6873254776000977